minakichan (post: 1257166) wrote:So, I consider myself primarily a sequential artist and therefore, I'll be the first to admit that I suck pretty darn hard at writing dialogue. I feel that my lines either sound too contrived or too spontaneous-- I try emulating the speech patterns of people I hear around me, but somehow that just doesn't translate well to the page for me or I just can't capture it.
The story I'm working on now involves many distinct personalities-- almost to the point of being caricatures-- and I want their voices to be very distinguishable, but I keep falling onto cliche crutches in writing my dialogue-- the valleygirl speak, the rough guy who's al'ays speakin' wit' tons'a'postrophes, the every-other-word-is-a-curse-word type, etc. What techniques do y'all have in writing very diverse dialogue?
Sit down with the character and figure it out together. I'm not kidding.
I write paragraphs at a time of random speech from each character, until I have them down. I definitely have them describe themselves (this also helps me get a fix on their general personality) I might also have them describe events in the story from their point-of-view, or talk about their past, or about their opinions, feelings, etc. about other characters in the story. Eventually, I've not only got the character's voice in my head, I have a stock of extra material that might be handy at some point.
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